The Photographers' Gallery in London is currently showing a selection of student work by recent graduates of English art schools. Among the 27 entries, this one in particular caught my eye (and my heart).
"Two Homes" by Emer Gillespie documents the parallels of the two separate households in which the artist’s child lives. In a rare example of the diptych form being used to its best advantage (a form much abused by student photographers) Gillespie pairs scenes of seemingly mundane objects and routines that make up the life of a child living with separated parents.
While on one hand, the images illustrate subtle connotations of gender distinction - what's most affecting is the straightforward observation of what must be undoubtedly confusing for a young child.
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